Here is a model with which I'm showing how the existing topographical changes are used and emphasized in the proposal. There are 4 blue layers representing each level of entrances in the department store, each entrance being attached to a street and its topography. (I know that the real highs are not as marked as on the model but the model is almost more diagramatic).
Saturday, 15 May 2010
Internal Topographic Model
Here is a model with which I'm showing how the existing topographical changes are used and emphasized in the proposal. There are 4 blue layers representing each level of entrances in the department store, each entrance being attached to a street and its topography. (I know that the real highs are not as marked as on the model but the model is almost more diagramatic).
Thursday, 13 May 2010
Wednesday, 12 May 2010
Dazzle Floors pt.ii
TS precedents for Ruo
Dazzle floors
Sunday, 9 May 2010
testing model page
Strategic Drawing
Saturday, 8 May 2010
Foil studies revisited
I reviewed the earlier Pattern and foil studies and noticed many similarities (and possible solutions) to your projects- please take a look
Ruo

Can you use glimpses/ angles of view as a device within your strategy?

Remember these simple translations?

Reflective materials, differentiated angles/ profiles etc.
This model could almost be a fragment of your catwalk...
Jinuk

These foil models can be re-translated at several scales within your scheme- as urban corridors, geometries, profiles of facets, interactive screen walls

What a great image! - but we haven't seen this since- hidden line render could give another level to the ambiguity of line vs. surface created by your anamorphic techniques
Manijeh

These simple surface studies were where we began discussing distortion, illusions of depth, perception with basic rules

Can we not imagine areas of heightened awareness...

or spaces with a distorted sense of perspective, scale- creating heightened senses of hierarchy, anxiety etc?
Chen

The configuration of holes/ spacing is more complex here than your current scheme..

.. creating the illusion of surfaces by profiling and contour- can this be achieved in your own project?
Zamri

You have been searching for simple strategies about profiling and patterning- but you already have it here- from early foil studies- please carefully consider their reuse

Use them to create a better understanding about the principles and origins of the lofting technique

Include these drawn studies in your portfolio- they are pivotal
Antoine

Stack-bonding techniques have always been more than a simple construction technique- the stepped profiles are intrinsically linked with our perception of the surface- depth/ distance/ tone

Do these differing techniques not offer contrasting approaches to our perception of material and surface within your four adjacencies and the interarticulation of individual volumes/ surfaces?
Royce

Week 2, term 1- and you have possibly already designed the building....
Opposing grains interlaced- what are the effects/ interconnections? Can this technique not be applied between internal skins and floors/ spaces?

Planes that shift to create more openness or conceal activity- could you make small fragments of exactly how the surfaces come together? Maybe not the notching script after all...
Kit

Can your project not benefit from a consistent method/ form-making device but just with simple variations such as here: changes in scale, material, distance- to create differing effects?

What happened to this simple device- to create glimpses- but without cutting the surface away?
Please add your own thoughts/ comments
Ruo
Can you use glimpses/ angles of view as a device within your strategy?
Remember these simple translations?
Reflective materials, differentiated angles/ profiles etc.
This model could almost be a fragment of your catwalk...
Jinuk
These foil models can be re-translated at several scales within your scheme- as urban corridors, geometries, profiles of facets, interactive screen walls
What a great image! - but we haven't seen this since- hidden line render could give another level to the ambiguity of line vs. surface created by your anamorphic techniques
Manijeh
These simple surface studies were where we began discussing distortion, illusions of depth, perception with basic rules
Can we not imagine areas of heightened awareness...
or spaces with a distorted sense of perspective, scale- creating heightened senses of hierarchy, anxiety etc?
Chen

The configuration of holes/ spacing is more complex here than your current scheme..

.. creating the illusion of surfaces by profiling and contour- can this be achieved in your own project?
Zamri
You have been searching for simple strategies about profiling and patterning- but you already have it here- from early foil studies- please carefully consider their reuse
Use them to create a better understanding about the principles and origins of the lofting technique
Include these drawn studies in your portfolio- they are pivotal
Antoine

Stack-bonding techniques have always been more than a simple construction technique- the stepped profiles are intrinsically linked with our perception of the surface- depth/ distance/ tone
Do these differing techniques not offer contrasting approaches to our perception of material and surface within your four adjacencies and the interarticulation of individual volumes/ surfaces?
Royce
Week 2, term 1- and you have possibly already designed the building....
Opposing grains interlaced- what are the effects/ interconnections? Can this technique not be applied between internal skins and floors/ spaces?
Planes that shift to create more openness or conceal activity- could you make small fragments of exactly how the surfaces come together? Maybe not the notching script after all...
Kit
Can your project not benefit from a consistent method/ form-making device but just with simple variations such as here: changes in scale, material, distance- to create differing effects?
What happened to this simple device- to create glimpses- but without cutting the surface away?
Please add your own thoughts/ comments
Wednesday, 5 May 2010
Ambiguous Surfaces / Test 01
Some sketches of surface behaviours for smith court's entrance. Using two surfaces qualities (one is extension of existing (adaptive), the other belongs to department store). They both act as volumes/mass while one is only a huge void conducting light to the basement and existing spaces. They also overlap as they are continuous further behind one another, giving some signs of path and mouvement to users. These are quite quick to do so i'll do them for all entrances on site (5) and then the inside of the court. So I can have a overview of every part of the site, so I can do Drawing n°1 and continue on a more specific location (other drawings).
Feedback more then welcome! Thanks.
The Interior/ Open Space (incomplete)
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